Assignments
Class Participation: 15% One
aim of the class is to stimulate lively and productive discussion about the
films we'll be watching. Our goal
in class is to share our solitary efforts, and generate a regular exchange of
ideas. This grade will also
include occasional quizzes.
Blog Posts: 10% Once a week, choose a scene from one of
the films we’ll be viewing that week, and analyze it closely. Begin each post with a brief argument
about the meaning of the scene as a whole.
Think of this argument as your unique “position,” which you must
persuade others to adopt. Then
support your overall point with specific evidence from the scene: point to specific frames, and use specific vocabulary (cinematography, narrative, mise-en-scene, editing, sound). Post to our class blog (min. 300 words, due by class time on either Monday or Wednesday). At the beginning of each discussion, we may call upon two or three students to present (and if necessary, defend)
their approach to their chosen scene.
Discussion-Starter Presentations: 10% Each
student will prepare a brief, focused, 5-minute presentation to the class
dealing with one (and only one) of the films assigned for that class. The presentation will be given at the
beginning of class. The purpose of
the presentation is to initiate discussion, and might be pursued one of the
following ways: (1) Present and defend your own interpretation of the film; (2)
Isolate a few frames or parts of a scene (no more than 30 seconds) and give a frame-by-frame analysis; (3) Identify and
discuss a specific theme or idea, and demonstrate its relevance; (4) For
academic articles or other non-fictional texts, sketch the main argument
(sometimes easier said than done). Please discuss your plans with me no less than
one class (not one day) prior to the
presentation.
Close-Reading Essay:
15% (3-4 pages)
In the first essay, you will produce a thesis-guided close-reading
of a film we have studied, paying attention to the specific cinematic,
rhetorical, and literary devices that the author uses.
Formatting requirements: (1) Proper citation, using the MLA
format, of all sources; (2) Inclusion of a “Works Cited” page using MLA format;
(3) Document format of 12 point Times New Roman, double-spaced, with 1” margins
all around (your default format may be different; you are responsible for
changing it).
Annotated
Bibliography: 20% (15-20
sources)
To prepare for your final project, you will produce an
annotated bibliography of secondary sources that relate to your primary
text. These might come from a
number of different genres, including academic criticism, philosophy, cultural
criticism, and journalism (reviews from the film's first release). We will
practice the art of annotation in class, but each annotation should be 50-100
words, written for an academic audience.
It should be accompanied by a brief headnote of approximately 500 words,
which will explain the theme that unifies your research.
Scholarly Introduction Project: 30%
Imagine what it’s like to make a wonderful discovery, such
as an archaeological item, or a whole new species of creature. After the initial elation fades, the
explorer faces a major dilemma.
Surely s/he must share the find with the world, explain its
significance, and give colleagues the tools they need to understand it. Equally important, however, s/he must
preserve some of the uniqueness of the artifact. Why? Giving
others a chance to approach it on their own terms, with minimal interference,
could generate a far greater variety and depth of insight.
This same challenge will be yours in this course’s final
project. You will produce a
scholarly introduction to the film of your choice, complete with the entire
scholarly apparatus: an introduction, selected bibliography, and appendices (which will contain historical materials and
scholarly criticism appropriate for your film). The goal of the project is to present your chosen film in a
new light to a specific community of film-goers not unlike yourselves.
Included in the grade for the project will be a formal
proposal, due early in the quarter, and a brief in-class presentation on the
final class meeting.
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